I first got to know Billie Culy when she was helping with her parents Homebase Collections pop up in Auckland in 2013. I was captured by the close, creative aesthetic shared by the family as a whole, so often with the nature at its root. To this very day I am inspired to indulge the very fluid, beautiful way that they celebrate it – not only their art but their homes! The work shared below is a continuation of Billie’s exploration of using flowers, foliage, sets, vessels and a painters eye

I’m so glad that I’ve moved onto to this Q+A format as it’s not just YOU gaining a deeper insight into the brands and work featured here! At face value, I truly do love Fazeek; an Australian brand sporting punchy graphics but in tones that don’t blow your socks off. I love the fact that I could have a table cloth to go with my cushion or mix and match with reverse coloured napkins. The baskets are quirky and cool in their slightly muddy tones …totally up my ally. But it

Lola Wright is a young NZ photographer I have been gratuitously following on instagram for quite some time now. She takes me on her adventures around the country, across seas and on many occasions, “IN” seas! As a total sucker for the romanticism of nature, I am an easy match for her art based and editorial work (she has a cool blog to explore too) which made sharing this preview of her exhibition a total no brainer. “Aqua Frizzante” opens at Allpress Studio in Auckland this coming Monday – all details here

Last year I slotted in on the judging panel for the annual Bolt of Cloth Textile Design Award. Just like the year before, it was thrilling to see the short lists and degree of talent in the locally submitted work (bodes well New Zealand!!). While Bolt of Cloth provide a version of heaven for fabric loving makers and decorators; I tip my hat to their committed effort at spotlighting domestic design talent with this ongoing project. Of course, there was one entry that rose to the top for all three of

I had followed the instagram account of Formantics for a good 5 months before artist/designer/maker/over achiever; Susan Christie and I started trading emails. In total honesty, I had been SO taken by the brands witchy way with colour and shape that I hadn’t cast much thought into “where” or rather; “who” it was coming from, definitely stopping short of my usual stalkerish ways. Lucky for me I didn’t need to investigate further because one email from Susan saved me from my own ignorance and re-framed Formantics as a very personal creative venture,

This new blog format of “handing the microphone around” is reallllllyy working for me, and this post is the perfect example way. I’ve followed Annie Smits Sandano since the very beginnings of of Studio Home but this is the first time that I’ve had the chance to share her own words and thoughts with you. And while we can thank Dunedin based, Gallery De Novo for taking the time to do some digging with Annie, it got me thinking even further on perhaps what Liz Fraser might have to share as

As a design brand; George and Willy are fine ambassadors of everyday, simplistic and functional products. But as people, they are an inspiring, modern representation of what the NZ “can-do” attitude looks like in 2000’s. They design things that they need and that their friends need. Things that are detailed only to the degree that allows them to do the best job. There is no fussiness, over design or frivolity – just items that help make our everyday life better. I have followed Will McCallum and George Wilkins from the very get

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